Screenplay Generator

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Screenplay Templates & Examples

  • INPUT

    My people

    OUTPUT
    INT. CAR PARK - NIGHT  
      
    A dimly lit car park. The faint sound of distant traffic hums in the background. TIMAH (40), disheveled and weary, leans against her car, staring at the asphalt beneath her feet. Her expression is a mixture of confusion and vulnerability.   
      
    She clutches her phone, contemplating her next move. In the distance, CILIA (35), bright-eyed and full of spirit, approaches with a warm smile. The contrast between them is stark.  
      
                             CILIA  
                   (cheerful)  
              Hey, Timah! There you are.   
      
    TIMAH looks up, forcing a smile.   
      
                             TIMAH  
              Yeah, just... taking a breather.  
      
    CILIA steps closer, concern etching her features.   
      
                             CILIA  
              You’ve been through a lot. Want to talk?  
      
    TIMAH glances back down, tracing patterns on her phone with a finger.   
      
                             TIMAH  
              What’s there to say? I lost my job...   
                   (a beat)  
              I feel like I lost myself too.  
      
    CILIA frowns, instinctively reaching out to touch TIMAH’s arm.   
      
                             CILIA  
              You haven’t lost yourself. You just...   
              haven’t found the right path yet.  
      
    TIMAH snorts, a humorless laugh escaping her lips.   
      
                             TIMAH  
              A path? I don’t even know what I like anymore.   
                   (beat, then softer)  
              I used to think I was good at something.  
      
    CILIA tightens her grip, her voice steady and soothing.   
      
                             CILIA  
              You are good at so many things. You just need to   
              remember that. We can figure this out together.  
      
    TIMAH lifts her gaze, vulnerability present in her eyes.   
      
                             TIMAH  
              What if I don't want to figure it out? What if I want to run away?   
      
    CILIA hesitates, then steps closer.   
      
                             CILIA  
              Running away won’t help. You have a chance to   
              reinvent yourself. Remember what we talked about?   
              The DJ gig... the complex?   
      
    A flicker of interest ignites in TIMAH’s eyes, but she quickly dims it with doubt.  
      
                             TIMAH  
              But I'm not a DJ. I can’t...  
      
                             CILIA  
                   (encouraging)  
              Yes, you can! You’ve always had an ear for music.   
              And you could make the place something special.   
      
    TIMAH’s heart races, a mix of fear and excitement battling within her.  
      
                             TIMAH  
              What if nobody likes it? What if I fail?  
      
    CILIA takes a step back, searching TIMAH’s eyes.   
      
                             CILIA  
              Then we’ll do it together. I’m here, right by your side.   
              You can’t do this alone.   
      
    Silence hangs between them, thick with unspoken feelings. TIMAH swallows, trying to absorb CILIA’s words.  
      
                             TIMAH  
              But what if...   
      
                             CILIA  
              No "what ifs." Just the possibilities.   
                   (smiling, sincere)  
              Think of all the people we could reach.   
      
    TIMAH exhales slowly, her walls beginning to crack.   
      
                             TIMAH  
              You really believe in me, don’t you?   
      
    CILIA nods, her conviction unwavering.   
      
                             CILIA  
              Always.   
      
    TIMAH finally allows a tear to fall, overwhelmed by emotions.   
      
                             TIMAH  
              Then maybe... maybe I can try.  
      
    CILIA smiles gently, pulling TIMAH into a warm embrace.   
      
                             CILIA  
              That’s the spirit!   
      
    They stand together, united, as the surrounding darkness seems to shift ever so slightly, hinting at a new dawn.  
      
    FADE OUT.  
  • INPUT

    The Last Stand

    OUTPUT
    FADE IN:  
      
    EXT. NEW HAVEN - DAY  
      
    A bustling metropolis, NEW HAVEN, thrives under the sun. High-tech skyscrapers soar, bustling streets filled with PEOPLE and HOVER CARS zipping by. Laughter and chatter fill the air, but an ominous HUM begins to grow louder.  
      
    SUPER: “NEW HAVEN - 3 DAYS BEFORE MARTIAL LAW”  
      
    EXT. NEW HAVEN - CITY SQUARE - DAY  
      
    Crowds gather as a NEWS REPORTER, LILA THOMPSON (30s, sharp-eyed and determined), stands before a live camera, her voice steady.  
      
                                  LILA  
                   (into camera)  
              Citizens of New Haven, we face an unprecedented threat   
              as an unknown army approaches our city. Authorities urge   
              calm, but I urge you to prepare.  
      
    Suddenly, SIRENS blare. A convoy of MILITARY TRUCKS rolls through the streets, causing panic.   
      
    EXT. NEW HAVEN - BACK ALLEY - DAY  
      
    ALEX CARTER (40s, rugged, eyes filled with regret), leans against a building, observing the chaos. He pulls out a PHONE, scrolling through military intel.  
      
                                  ALEX  
                   (muttering)  
              Not again...  
      
    DANTE RHODES (30s, street-smart, with a cocky grin) approaches, eyebrow raised.  
      
                                  DANTE  
              You got a death wish, Carter? Or just enjoying the show?  
      
                                  ALEX  
              This isn’t a show, Dante. It’s a disaster waiting to happen.  
      
    Dante leans closer, sensing urgency.  
      
                                  DANTE  
              You have a plan?  
      
                                  ALEX  
              We need to gather intel... and fast.  
      
    EXT. NEW HAVEN - UNDERGROUND GARAGE - DAY  
      
    MAYA CHEN (20s, tech-savvy, eyes sharp) works on a holographic display, surrounded by high-tech gadgets. She glances up, intrigued as ALEX and DANTE enter.  
      
                                  MAYA  
              What’s the good word?  
      
                                  DANTE  
              The city's about to become a war zone.   
              We need your tech skills.  
      
    MAYA’s fingers fly over the controls.  
      
                                  MAYA  
              I’m in. But we need an inside man.  
      
    EXT. NEW HAVEN - ROOFTOP - DAY  
      
    LILA observes the street below through binoculars. She sees the MILITARY TRUCKS unloading ARMORED SOLDIERS.  
      
                                  LILA  
                   (into radio)  
              We have eyes on the enemy. They’re mobilizing.  
      
                                  ALEX (O.S.)  
              Good work, Lila. We need to move.  
      
    Lila nods, determination in her eyes.  
      
    EXT. NEW HAVEN - CITY SQUARE - DAY  
      
    ALEX, DANTE, MAYA, and LILA converge, forming a tight circle. Tension hangs in the air.  
      
                                  ALEX  
              Here’s the plan: we break into the enemy's supply lines,   
              gather intel, and hit them where it hurts.  
      
                                  MAYA  
              I can create a diversion using their own tech against them.  
      
                                  DANTE  
              And I know a few shortcuts to get us in and out.  
      
    LILA raises her chin, fierce.  
      
                                  LILA  
              Count me in. We need to expose Kael for what he is.  
      
    ALEX studies their faces, seeing determination shining through.  
      
                                  ALEX  
              Then let’s do this. For New Haven.  
      
    The group nods in agreement, adrenaline surging.  
      
                                                          CUT TO:  
      
    EXT. NEW HAVEN - ENEMY CAMP - NIGHT  
      
    Shadows dance as the group stealthily approaches the enemy camp, cloaked in darkness.   
      
                                  DANTE  
                   (whispers)  
              Remember, stick to the shadows.  
      
    They move like phantoms, eyes focused. An ENEMY GUARD turns, spotting them.  
      
                                  GUARD  
              Hey!   
      
    The group springs into action!  
      
                                                          CUT TO BLACK.  
      
                                                                   FADE OUT.  
  • INPUT

    Homeless in South London

    OUTPUT
    EXT. STREETS OF LONDON - DAY  
      
    A bustling street in South London. The camera sweeps over a collage of life: PEOPLE rushing to work, SHOPKEEPERS setting up stalls, and CHILDREN laughing.   
      
    In this vibrant chaos, we find LIAM ROBERTSON (22), slight and anxious, sitting on a filthy curb with a worn backpack. He’s watching the world go by, eyes filled with longing.  
      
    GARY LORD (33), scruffy and gaunt, shuffles up beside him, searching his pockets. He pulls out a crumpled packet of cigarettes.  
      
                               GARY  
                    (offering a cigarette)  
              You want one?   
      
                               LIAM  
                    (shakes his head)  
              Not today, thanks.  
      
    Gary shrugs, lighting one for himself, the flames reflecting a moment of warmth.   
      
    JAMES GRACE (50), a disheveled former academic, approaches, clutching a tattered book. His eyes, once bright with intellect, now dull with despair.  
      
                               JAMES  
              Did you know the average person   
              walks past seven homeless people   
              before breakfast?  
      
    Liam glances at James, intrigued.   
      
                               LIAM  
              Is that a fact or a quote?  
      
                               JAMES  
              A fact. A sad one.   
      
    MIKE WARD (42), a large man with a tough exterior but tired eyes, arrives, carrying a small bag of food. He notices the gathering.  
      
                               MIKE  
              (to James)  
              You reading statistics again?   
      
                               JAMES  
              Just trying to make sense of it all.  
      
    Mike hands a sandwich to Liam, who hesitates but then accepts it gratefully.  
      
                               LIAM  
                    (softly)  
              Thank you.  
      
                               MIKE  
              It’s nothing. We're in this together.  
      
    Liam takes a bite, and momentarily, the weight of the world lifts.   
      
                               GARY  
              (exhales smoke)  
              You know, I miss the warmth of   
              my bed... even if it was lumpy   
              and full of bedbugs.  
      
                               JAMES  
              (scoffs)  
              A bed is a luxury most can’t afford   
              on these streets.  
      
    The mood shifts. A moment of silence settles on the group, each lost in their thoughts.   
      
                               LIAM  
              (breaking the silence)  
              Do you ever think it’ll get better?   
      
                               MIKE  
              (firmly)  
              It has to. We just gotta keep   
              pushing through.  
      
                               GARY  
              (sarcastically)  
              Sure, until the next day comes   
              and we wake up in the same place.  
      
                               JAMES  
              (earnestly)  
              It's not about where we wake up;   
              it’s about what we do while we’re awake.  
      
    Liam looks up, their eyes meeting. A flicker of hope passes between them.   
      
                               LIAM  
              (smiling faintly)  
              You know, you’re not as hopeless as you look, James.  
      
                               JAMES  
              (returning the smile)  
              And you’re not as naïve as you seem, Liam.  
      
    Suddenly, a LOUD CRASH from across the street interrupts them. A BUSKER’s guitar has fallen, scattering coins. The group watches as passersby ignore the chaos.  
      
                               MIKE  
              (gritting his teeth)  
              Every day, the same...   
      
                               LIAM  
              (determined)  
              We can’t let them forget us.   
      
    The group turns to LIAM, inspired.   
      
                               MIKE  
              (nodding)  
              Then let’s make some noise.  
      
    They rise, united, moving towards the sound of the busker, ready to reclaim their place in a world that tries to overlook them.  
      
                                                               FADE OUT.  
  • INPUT

    Homeless in South London

    OUTPUT
    EXT. STREETS OF LONDON - DAY  
      
    The sun casts a dim light over a graffiti-laden wall. A chilly breeze rustles through the deserted alleyways. A group of BEGGARS huddle together for warmth, their faces etched with despair.  
      
    LIAM ROBERTSON (22, slender, vibrant but weary) sits against a cold brick wall, clutching a worn-out backpack. He stares blankly at a passing couple, their laughter echoing in the air.  
      
                             LIAM  
                   (to himself)  
                   Must be nice...  
      
    GARY LORD (33, gaunt, with sunken eyes) approaches, a slight tremor in his hands. He digs into his jacket, pulling out a crumpled ten-pound note.  
      
                             GARY  
                   (a hint of hope)  
                   Found this in a jacket. Think it’s enough for something warm?  
      
    LIAM looks at GARY, their eyes meet. GARY’s smile is fragile, revealing the desperation behind it.  
      
                             LIAM  
                   (softly)  
                   Maybe. Coffee’s better than nothing.  
      
    Suddenly, JAMES GRACE (50, disheveled but dignified) stumbles into view, carrying a bag filled with books. He stops, glances at the duo, and offers a slight nod of acknowledgment.  
      
                             JAMES  
                   (to GARY)  
                   Coffee won’t solve your problems, you know.  
      
    GARY bristles at the comment, defensive.  
      
                             GARY  
                   (sarcastic)  
                   Brilliant insight, mate. Thanks for that.  
      
    JAMES straightens up, his age showing in the lines on his face.   
      
                             JAMES  
                   (calmly)  
                   I’m just saying—sometimes, it’s the little things that mean the most.   
      
    Across the street, MIKE WARD (42, rugged, tattoos peeking from under his sleeves) watches the interaction from a distance. He hesitates, then strides over, his presence commanding yet weary.  
      
                             MIKE  
                   (gruffly)  
                   What’s this, a support group?   
      
                             LIAM  
                   (smirks)  
                   More like a coffee committee.  
      
    MIKE smirks, but there’s a heaviness in his eyes.  
      
                             MIKE  
                   (pauses)  
                   Just trying to get through the day, same as the rest of us.   
      
                             JAMES  
                   (earnestly)  
                   It's more than just surviving, Mike. We need to find a way to live.  
      
                             GARY  
                   (snorts)  
                   Live? What’s that even mean anymore?  
      
    The air thickens with tension. LIAM shifts, visibly uncomfortable.   
      
                             LIAM  
                   (tentatively)  
                   Living... feels like a distant memory.   
      
    Silence falls as each man ponders their shared reality. A moment later, LIAM pulls out a half-eaten granola bar, offering it to the group.   
      
                             LIAM  
                   (fragile optimism)  
                   Anyone want to share?  
      
    They look at the bar, then at each other. A spark of camaraderie ignites.  
      
                             MIKE  
                   (taking the bar)  
                   I’ll take a piece.   
      
                             JAMES  
                   (nodding)  
                   Together, then.   
      
    LIAM watches as the rough edges of their lives soften, even if just for a moment.  
      
                             LIAM  
                   (smiling)  
                   Together.  
      
    FADE OUT.  

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